Semiosis, by Sue Burke

I think I liked this better than most reviewers. What I got out of it was an exploration of how human colonists would communicate and share space with a native being that was incredibly powerful in ways they knew they would not understand, and also absolutely necessary for their survival. Stevland, the sentient plant that is the character of continuity for most of the book, reflects in a very thoughtful way about how he (Stevland adopts a male persona and pronoun) relates to aliens.

I do get the criticism that the way the Pacifists talk about their community makes it sound a bit YA. I wonder how this would have gone over if she had made them be an overtly religious group, and had their convictions come from their faith? In places she seems to be quoting directly from the founding principles of the Unitarian Universalists.

I would say that this is "medium-hard" SF. Little is said about how the colonists actually made it to Pax. And nothing at all is said about how a plant embodies sentience. What do they think with, if not brains? I didn't struggle to believe that an intelligent and capable plant would think in terms of the chemistry it is intentionally trying to create. Stevland (the main plant) is capable of manipulating his chemical products (as many plants are) and Burke chooses to show this by having Stevland's inner monologue be very geared toward common names for what he is producing.

There is a rape scene in an early chapter that is meant to illustrate the depths to which the original colonists are willing to go in order to control future generations. Think Clockwork Orange, but in writing so less graphic. Some reviewers pointed out that the consequences of this action were not well explored.

Overall I thought the book had a lot of nuance and explored difficult topics well, and I'm glad I read it.

My Goodreads Review

Red Team Blues, by Cory Doctorow

I liked reading this book. Fast paced action, an appealing if imperfect hero, at the cutting edge of computers, society, and security. A quick read that kept me turning pages.

I am still disappointed. Where is the Cory Doctorow of "Walkaway"? Or "Radicalized"? The protagonist in this story seems to be a guy who is feeling his age and still has sympathies for progressive ideas but has (sort of) made peace with things as they are. Though I think the ending is worth reading a couple of times. At first it sounds a bit obvious and some have thought it tone-deaf, but I think it is self-consciously so.

Cory Doctorow intends his speculative fiction to be "at the very edge of the present". This one feels less at the edge. More like a modern thriller than speculative fiction, he's just slotted there.

Maybe he will stretch Martin Hench in future books. But it kind of doesn't look that way.

David (Spring, TX)’s review of Red Team Blues | Goodreads

Furious Heaven, by Kate Elliot

I persevered all the way to the end of this very, very long book. Not just physically long, it felt long. There's a lot of landmarks and players, but the plot in the end is pretty ordinary galactic fantasy. It is modernized with sapphic romance, but we've had that around long enough for it not to be an automatic qualifier. Space in this series is a very pure metaphor for the ocean--the battles give the book a lift but not really enough. Elliot has fallen in love with Sun, I think--the book tends toward hagiography for Sun, especially toward the end. Lots of hyperbolic descriptions of royal responsibility and honor. If you're pushing the boundaries in speculative fiction now, you're pushing back on the very colonial ideas of empire and royalty that Elliot uncritically embraces. Having the conquerors have an Asian, as opposed to European/Celtic origins, does not let this off the hook. The length just isn't justified--it's mostly a chronicle of Sun's conquests, with some clever interludes from her companions. I kept on, looking for a story, and I'm not sure that really ever happened--just a collection of incidents with Sun at the center.

My Goodreads Review

System Collapse, by Martha Wells

I read all of these as soon as I can get to them, but I have to say that the formula is wearing a bit. Wells is trying to add some dimensions to Murderbot by having him be more vulnerable, and that works to a certain extent. He's made it from one- to two-dimensional. The action in the series is great, always compelling. What's leaving me itchy is that her commitment to telling the story entirely from Murderbot's perspective leaves the humans in the shallows. Murderbot's relationship to them is as a protector, by programming. He can indulge their illogical behavior as being silly, and commit to protecting them from and in spite of themselves, but it's pretty much impossible to tell one human from another outside of their skill sets.

Wells is a very good author and I expect that the series will acquire depth if she commits to it. It will be hard to put down since it's been so successful.

My Goodreads Review

Children of Time, by Adrian Tchaikovsky

I've read several other works by Adrian Tchaikovsky and have gone back to read this one. Gotta say I enjoyed it tremendously.

The world building is done pretty quickly but really works if you are willing to buy in--the big leap is a nanovirus that will drive evolution and brain development in a species. I especially enjoyed the nod to David Brin's Uplift series--and the fact that the book took the concept in a new direction.

The plot summary you can get from other reviews. Some things that stood out for me:

1. Tchaikovsky does a nice job of taking the spiders' perspective without getting so awkwardly alien as to be difficult to read. One of the things he does that is very telling is to have continuity in the spiders' names over generations and even millenia. They're all Portia, Bianca, or Viola (females) or Fabian (male). It gives you the real sense that spiders have a different idea of identity than humans, and it informs their motivations. But in other ways they form a hierarchical society and fight just like humans do.

2. Some people felt like the middle section got long-winded. I think they missed some things. The spiders fended off two existential threats to their civilization, both of which changed them thoroughly. The humans visited a second terraformed planet and fought to keep their creaky, hastily built ark ship alive. We got an extended view of the contrast between the spiders' generational changes and the central core of human characters, which did not change because they spent extended periods in cold sleep.

In all my reviews of Adrian Tchaikovsky's work, I highlight the bit in his bio about being trained in stage fighting. You can see this in the construction of his plots, never more clearly than in this book. We have early indicators that there will be conflict. The initial clash with the remnant of Dr. Arvada Kern. The enemies separate and regroup, each following their own dramatic path. They come together for the final conflict, including various reversals of fortune. It makes for very exciting reading. Not all of his books work like this--he has several novellas that tell stories in different ways--but his large scale series do seem to follow this pattern.

My Goodreads Review

How to Live Safely in a Science Fictional Universe, by Charles Yu

I am sad to give this a two-star review. I gave it all the chances I could, reading it to the bitter end. But I can't do any better. If you have read St. Augustine of Hippo's meditation on time you get the flavor of the protagonist describing his experience of time. There's also a suggestion of technical detail, which was potentially pretty intriguing, suggesting that the techology *might* be simply a way to get into a mental state.

But it goes on and on. The time meditation gets repetitive, which is possibly intentional but still irritating. And the father-son story is just sad, mostly, without a lot of redeeming value. Leo Tolstoy said that each unhappy family is unhappy in its own way--I think we may have found the disproof right here. I feel like I have met this family several times. There's just not enough in the relationship story to carry the heaviness of the chronodiagetic exposition.

I think this book would have worked better as a novella. Mostly it just needed more of a reason to exist.

My Goodreads Review

The Space Between Worlds, by Micaiah Johnson

I liked this book quite a lot, though it has its flaws. The setup is good for storytelling--there's a technology that allows access to the multiverse, but only a limited number of them, so you don't go completely off the rails with possibilities. I am seeing from some DNF reviews that they thought plot elements were missing--like the protagonist and Dell's very complicated romance, which was perfectly clear to me.

I had a better time with the book once I accepted the fact that the science and the action, while present, take a back seat to the main character's introspection. Most of the writing is about Caralee's dialogue with herself. She tells us, in great detail, both the backstory and current motivations for everything she is doing. There were more than enough plot reveals to keep that introspection relevant and interesting. Johnson uses, but doesn't overuse, the multiverse as a way to introduce surprises.

Race and class are central to understanding Caralee. The contrasts between those inside Wiley City and outside in Ashtown are made very clear and iterated over and over. It ends up feeling a bit one-dimensional as an exploration of race and class difference. But I will say that Caralee doesn't ever give in to holding herself up as some kind of example because of her circumstance. She is very clear about all the compromises she is making to survive.

Overall a bit of a grind but worthwhile.

My Goodreads Review

The Saint of Bright Doors, by Vajra Chandrasekera

I did not know when reading this story that it was a retelling of the origin story of the Buddha. It would have made a difference in how much I appreciated it. I have read and been around enough Buddhism to have consumed some versions of his origin story, and the fact that he named his child Fetter IRL was never mentioned.

Another reviewer said they admired the story more than liked it. I can second this. I found it amazingly imaginative just as a story, but it went on and on without really gripping me and took me a long time to finish. The idea of a prison so large that it becomes more like a country is one that will stick with me. Fetter the protagonist did kind of grow on me, but not so much that I truly cared about his fate. So much went on in this story that just got by me. I appreciate his perspective and hope Chandrasekera keeps writing.

My Goodreads Review

Shigidi and the Brass Head of Obalufon, by Wole Talabi

A lot of folks seemed to have expected something a bit different than they got from this novel. I did not read the blurb so was fortunately not misled. This is a fun and interesting fantasy novel based in Nigerian culture. When Talabi writes about Nigerian culture, he blends past and present in a way that's really interesting to me as a white reader. Nigeria is a country of extreme income inequality, but his depictions of wealth in Lagos remind us that destitution is not the only story in Africa. The book is both playful and deep, laying a goofy corporate power structure over pre-colonial tribal religion to create the backdrop for the story.

Shigidi is a constructed being, a minor nightmare god created from clay by Olorun, a powerful Orisha that used to run the spiritual corporation they are both connected to (it has a totally forgettable generic name). He works for prayers of believers--Talabi hints at an economy of prayer money. He is just scraping by when he meets Nneoma, a succubus and more elemental being that lives outside the spiritual economy the spiritual corporations have created. Their growing love is the central driver in the story, as Shigidi is remade into a god as potent as any other with Nneoma's infusions of power. The brass head is a macguffin, a physical object that focuses the efforts of the protagonists.

Talabi's writing has really developed. The narrative has many threads, mainly distinguished by the date and time at the head of each chapter. Pay attention to these. I found the shifts entertaining, they made me work a bit to keep up with the plot but injected backstory at the right time. Good stuff! Not perfect, there may have been too many of those threads and it got confusing sometimes, but overall worth it and a really good read.

My Yelp Review

Translation State, by Ann Leckie

 This entry in the Imperial Radch universe really shows Ann Leckie's writing skills. We have three protagonists, and cannot do without any of them. And we get to learn more about the Presger, that incredibly alien threat.

There's also a lot of interesting and astute political commentary here. Leckie has built a consistent world where gender and race are fluid concepts, with alternative pronouns used naturally. She then reintroduces race and oppression through the Phren and the Hikipi, two human races from LoveHate station now residing on a planet. The Hikipi suffer from terrible oppression at the hands of the Phren, but this does not make them into saints and martyrs. The Hikipi fall for disinformation (the Presger aren't real!) and commit violence just like real humans do. The point of valuing all people, and lifting up those who have suffered oppression, is not to put them on a pedestal. It's to make space for them as people.

Family and human connection are the center of the novel. Protagonists Reet (raised as human) and Qven (a Presger Translator) want to be human, and their family (who adopted Reet, and then embraced Qven when Qven is in a relationship with Reet) fight for their right to be human.

There's so much high quality teaching going on that it starts to become the point of the book. That's the only issue I have, and hard to say it's a real one. The Imperial Radch is an incredibly complex place, Leckie can explore it for her whole career and just get started. Looking forward to the next one.

My Goodreads Review

Witch King, by Martha Wells

I just finished reading this, which took a really long time. Martha Wells is a very versatile writer--the Murderbot series is all quick hits and snappy dialog, a fun read. This one feels more like a masterwork in the making--no doubt Wells has huge files of backstory. Very little of that is in the book, you have to figure out the fantasy world as she describes it, which is fine. Wells is taking her time building characters--Demon and Prince of the 4th House Kaiisterion (Kai to his friends) being the protagonist, with fellow traveler Ziede (I never figured out exactly what she was, a Witch I guess?).

A lot of the book is driven by Kai's memory of events, and his speculations on what and who is driving them. The book opens with Kai waking up from an imprisonment that should have been impossible, and freeing Ziede from a similar imprisonment. From there we have a very slow build, first introducing the powerful factions, then watching Kai and Ziede narrow down who was behind their capture. There's not a lot of action in either of the parallel story lines until the last third of the book.

There's a whole lot of potential here, you can see the scaffolding for the above-mentioned masterwork. This is one where the sequels could be better than the opener. This one feels like it's mostly introduction (through actions, but still an introduction).

The Water Outlaws, by S. L. Huang

According to the introduction this book is intended to evoke "Crouching Tiger, Hidden Dragon" (thought that title is not explicitly referenced)--feminine superhero-martial arts-wire fu action. And it delivers on that pretty well. I find myself agreeing with others that the focus of the book felt off--I didn't care that much about Lin Chong and Li Junyi as protagonists. The other characters had more potential to be interesting, mostly because they didn't carry that baggage about loyalty to a corrupt empire. That may be what is playing out in real life, but I think most of us are over it. The author's work to build those protagonists actually detracted from enjoyment of the action.

Overall it was OK, but felt like it went on for a long time. I can't quite give it four stars.

My Goodreads Review

The Road to Roswell, by Connie Willis

This is a rom-com, a nice relaxing read. I think Connie Willis could have put more into it than that, but in the end it's pretty much a better grade of Hallmark movie (maybe a low-stakes romantic comedy with some big name actors between projects). The special effects would not be very difficult at all, and there's a lot you could do with an animated, very fast tumbleweed that would be fun to watch. A nice break from post-apocalyptic stories I guess, since reality has a way of catching up to those and that will never happen with alien stories. I think it's better than a 3 but it's not a 4.

My Goodreads Review

The Lords of Uncreation, by Adrian Tchaikovsky

I absolutely loved this conclusion to the Final Architecture series, for some of the same reasons that other reviewers didn't like it so much. There's a lot of battle sequences--I think they are really exciting and Tchaikovsky's background shows (he shares in his bio that he's trained in stage fighting, and that experience clearly informs the battles). He manages to make something as ridiculous in scope as saving all sentient life in the universe scale down to something we can get our heads around.

The whole series is worth reading for the relationships between the crew of the Vulture God (a deep-space salvage tug). Through all the insanity they are deeply devoted to each other, and particularly to Idris. Idris is endearing for his over-the-top depiction--he's only got one job, that of saving the universe, and he is conspicuously and self-consciously terrible at anything else. He is the most vulnerable lead character that I remember reading, and the rest of the crew is symmetrically devoted to him. I am sad to come to the end of the story--I will miss these folks. I also think Tchaikovsky has effectively closed off the series so that we can truly miss them.

My Goodreads Review

A Stranger In the Citadel, by Tobias Bucknell

Like many others I thought this book was going in a YA direction at the start. The plot seems a bit on the nose for our anti-intellectual times. But the book takes a good dark turn when Lilith finds out that her father isn't the staunch defender of the faith that she thought, nor is her beloved mentor Kira. There is a sort of classic element here, in that it's when Lilith acts according to the principles her father upholds that she finds out what's really going on.

The book is pretty focused on protagonist Lilith's coming of age, so it's still very YA, but in a good challenging way. But the relationships in the story are mature. Not that kind of mature, you dirty-minded people! In fact, not that at all. A strong element in the book is that people who don't share goals or values end up having to cooperate, or tolerate each other. Those stories are very well drawn here, and it's not something you see that often in SF literature. Worth the time in my opinion, I got a lot out of it.

My Goodreads Review

In the Lives of Puppets, by T. J. Klune

I picked this up on Goodreads' recommendation. What I'd say about this book is, it was fine. Interesting and sympathetic characters, a hero's journey, love and surrender and redemption. All fine. The characters are unfortunately one-dimensional, but they mesh together to produce fun reading. It wasn't challenging reading, unless you find alternative sexuality challenging, and really if you're reading SF award winners or anything outside of mainstream romance novels you should be over that by now. No actual sex. In the afterword Klune says he backed off of telling the story he wanted to tell with these characters, which explained this for me. I wasn't sorry I read it, but mainly it occupied time.

My Goodreads Review

The Thing Itself, by Adam Roberts

I read this after reading his later philosophical SF novel, "The This". I think The This is better, but The Thing Itself is absolutely worth reading. The blurb does it no justice at all, it must have been written by someone who had the book described to them third-hand.

In both The This and The Thing Itself Adam Roberts tries to bring philosophical concepts in by way of physical instantiations. So in The This there's a Dialectic trying to bring itself into being. In The Thing Itself we get to meet, well, the thing itself--Kant's "Ding An Sich". Because we perceive the world through our senses, what we know of things is what our senses report to us. This much was understood by Plato, and elucidated in his Cave analogy. Kant goes further in his Prolegomena to Any Future Metaphysics to argue that our ways of moving in the world and categorizing it, like space and time, are also constructions out of our mental nature, and that the world does not necessarily work that way at all. Certainly advanced physics from Einstein through Feynman makes this clear--the world is stranger than we can imagine.

What I can't quite get past with this one is that, in order to drive a plot, our protagonist and his nemesis get to SEE and interact with The Thing Itself, by way of an AI that can get past categories. This seems to me like any other advanced scientific instrument, like a particle accelerator or the James Webb Space Telescope. These tools are designed to go beyond our sensory and mental categories.

But in order to interpret the output of these tools we have to bring it back to where our senses can apprehend it--false color, loose analogies, etc. There is, as Kant says, no way for us to "see" The Thing Itself. And our instruments don't really do that either, they are just built to examine things from different perspectives.

So my philosophical hangup kept me from the thorough suspension of disbelief that you need in order to enjoy a novel. But I still loved it. No other SF novels have made me think so hard. Kudos to Adam Roberts for having the guts to write novels like this.

My Goodreads Review

Parable of the Talents, by Octavia Butler

It is amazing to me how well this book holds up 30 years after it was written. Definitely in its predictions--climate change was a mere gleam in an Exxon scientist's eye when this came out. The MAGA prediction does not shock me as much as some--there's a pretty straight line from the Moral Majority to today's Christian Dominionism.

The way this book holds up is in the lesson Butler conveys. In her time she said "I write not to predict, but to warn". And we did not heed the warning. Now here we are. Her protagonist's blunt descriptions of the failure of our culture and its consequences will be read 100 years from now as a companion to history.

Another reviewer said, "This is one of the best books I have ever read. I do not want to read it again". I absolutely second that. This was one tough read. I put it down at one point for more than a month. But I am glad I finished it.

My Goodreads Review

The This, by Adam Roberts

I am a jaded SF reader with a degree in philosophy so I have to say The This scratched all my itches extremely well. Yes, it's a difficult read, and those are very much not in style right now, but having come off reading Travis Baldree as an award winner I was really pleased to have come across Adam Roberts.

Here are two brilliant little side ideas I have not seen in other reviews:

Roberts uses two "cutouts"--men with no serious connections to anyone else, who won't be missed--in his story. SF often uses one, but he needed two. One protagonist is a fellow "orphaned" in his mid-twenties with his parents' death. Roberts notes that it's a hard time to lose parents. I've known people in this position and can say this is not acknowledged enough. So Rich (real name Alan, lots of play on this) is kind of drifting through life as a low-rent writer. Roberts captures the little elements of his life so well--preparing a microwave dinner and forgetting to eat it, and noting the careful place setting in a sad way. A perfect capture of a moment.

He also has an extended segment where Rich is reading an interview of a psychologist who argues for the importance of people being together. He says that to be present to each other we must *smell* each other, even if that is subliminal. I have believed this ever since social media and remote meetings took off, and have seen very little on it.

But of course Roberts' big project here is to tell a Hegelian story, and I believe he does so very successfully. This does not mean that at the end of it you will understand Hegel's dialectic, even though Roberts references it directly at the end. Rather, the story arc and how the plots come together is distinctly Hegelian. I would say he has to have understood Hegel much better than most who read it (certainly better than me) in order to pull this off.

This got shortlisted for some minor award, but generally speaking there's not much reward for writing deeply thoughtful work now. I am glad I came across this.

My Goodreads Review